| Zoic Studios, Culver City, CA 90232 | July 2002 to Present |
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VFX Supervisor/Digital Effects Supervisor Currently overseeing the entire production pipeline for both the 2D and 3D divisions of the company. Also served as Associate Visual Effects Supervisor for the WB/20th Century Fox Episodic TV Show Angel. The Day After Tomorrow (20th Century Fox): Vendor Visual Effects Supervisor Spiderman 2 (Sony): Vendor Visual Effects Supervisor Angel (WB/20th Century Fox): Associate Visual Effects Supervisor
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| Radium, Santa Monica, CA 90404 | December 2001 to June 2002 |
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Oversaw both the 2D and 3D aspects of the pilot. The work garnered a 2003 Primetime Emmy Award for Outstanding Special Visual Effects in a Television Series. Firefly: Serenity (Pilot) (20th Century Fox): Digital Effects Supervisor
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| VisionArt, Santa Monica, CA 9O4O4 | June 1999 to October 2001 |
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Supervisor work consisted of client interaction, art direction, animation direction, team assignments, creating schedules, and deadlines. Artist work consisted of FX animation(particle work-debris, rain, mist, smoke, fire, explosions), TD, shader writing, color and lighting, procedural modeling and compositing of the shots. Point of Origin (HBO Films): Digital Effects Supervisor - 4 shots, 12 artists To End All Wars (Lions Gate Films): Digital Effects Supervisor - 18 shots, 22 artists Rollerball (MGM/UA): Digital Effects Supervisor - 31 shots, 19 artists Dr. Dolittle 2 (20th Century Fox): Digital Effects Supervisor - 62 shots, 42 artists Swordfish (WB): Digital Effects Supervisor - 22 shots, 18 artists Spy Kids (Dimension Films): Digital Effects Supervisor - 16 shots, 12 artists The Painting (Santa Monica Pictures): Visual Effects Supervisor – 28 shots, 14 artists Dungeons & Dragons (WB): CG Supervisor - 68 shots, 35 artists Little Nicky (New Line): Digital Effects Supervisor - 95 shots, 40 artists | |
| Centropolis Effects, Culver City, CA, 9O232 | November 1997-June 1999 |
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Lead work consisted of managing priorities of effects work load for the entire team. Artist work consisted of FX animation(particle work-debris, rain, mist, smoke, fire, explosions), TD, shader writing, color and lighting, procedural modeling and compositing of the shots.
End of Days (Universal Pictures): Digital Artist Thirteenth Floor (Columbia Pictures): Digital Artist Godzilla (Sony): Digital Artist - FX Lead | |
| Digital Domain, Venice, CA 9O291 | November 94-November 1997 |
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Artist work consisted of FX animation(particle work-debris, rain, mist, smoke, fire, explosions), TD, shader writing, color and lighting, procedural modeling and compositing of the shots. Titanic (Paramount/20th Century Fox): Digital Artist, Character Integration Lead The Fifth Element (Columbia Pictures): Digital Artist General Cinemas: Digital Artist Terminator 2: 3D (Universal Studios): Digital Artist: Mini-Hunter/Killer Team | |
| Education | |
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State University of New York at Binghamton, Watson School of Engineering Bachelor of Science in Computer Science, December 1991 References available upon request. | |